Sync licensing
Music licensing
Original instrumentals for film, television and advertising. I wrote, performed and produced every one of them in the same room, so there is no publisher to clear and no sample to chase. One conversation and you have your answer.
The catalogue
Previews run 30 seconds. Full masters, instrumentals and stems are available on request, and I can cut a track to a specific runtime.
Tempo, key and tags come from a Cyanite AI analysis of the masters. The “sits near” line lists that engine’s closest matches in the Spotify catalogue, offered as a reference point for anyone searching by feel. It does not indicate any association with those artists.
How it works
One rights holder
I hold the writing, the performance and the master on everything here. Clearing a track is a conversation with one person rather than a chain of them.
Custom over catalogue
If nothing here fits the picture, I would rather write to it than sell you the closest thing. Scoring to a cut is usually faster than editing a scene around a track that nearly works.
Stems on delivery
WAV and MP3, split into stems, in a shared drive foldered by mixes, works in progress, instrumentals and masters. Your editor can pull the drums out without coming back to me.
Rates
Quoted per placement, based on media, territory and term. Tell me what the project is and I will send a number rather than a rate card.